Thanks to XMTR, for inviting me to photograph one of their curated days at Sono Electro, a sound and audio festival in St Leonards on Sea. I enjoyed the diversity of performances and stories and as ever, it was great to be involved in such a brilliant event in my local community.
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I'm thrilled to be part of this forthcoming exhibition celebrating Black History Month, hosted by Beatport at Farsight Gallery, London. The exhibition pays tribute to the cultural legacy of four groundbreaking electronic music genres of Black origin: House, Techno, Jungle, and UK Garage.
As one of the featured photographers, alongside legends Normski, Eddie Otchere and Dave Swindells, I’ll be showing some images that represent the moment when these genres collided to create dubstep.
Join us for the launch event on October 15th, where Josh Caffé, Ama and Mr. Redley will provide insights into their musical journeys. The evening will close with a DJ set by Ama.
My contribution to Turf Project's Eye Level programme included a Drumz of the South slideshow and audio description, voiced by Breezy Lee and produced by Jay Strange. I also designed a wall map of connections, inspired by the maps I drew during my peak years documenting the early dubstep scene and its community. Additionally, I led a counter-culture mapping workshop for MOSS, Turf's group of learning disabled artists, and a workshop for Croydon’s Young Archivists.
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Such a pleasure to experience and photograph the absolute joy that is Alabaster dePlume aka Gus Fairbairn in a little pub in the town I live in. Alabaster’s music is uplifting, funny, spiritual and healing, yet not at all devoid of edge. Songs like Be Nice To people and Don’t Forget You’re Precious, are like mini manifestos. It’s kinda like the 60’s hippy scene mashed up with punk and jazz. It’s stunning. Apparently he mixes up the musicians that he plays with, which I think leads to a freshness and newness among all of the players on stage - like they’re all just experiencing Alabaster dePlume for the first time too. I liked the way he acknowledged that the crowd make the experience as much as he and the musicians do. It certainly felt like the whole room was in it together. Thanks for the after-gig portrait Gus.
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On December 11th, the Hastings community came together to show solidarity with refugees, migrants and asylum seekers. Hastings is a coastal town overlooking The Channel - the treacherous bit of sea that many people cross or attempt to cross, often in small dinghy’s. It’s an issue that is often in the news, due to the tragic deaths of many people as they try to cross the channel, but also due to the attitude of the UK government towards these crossings, and towards migrants, refugees and asylum seekers in general. I went to the rally to show my support, but also to document some of the MANY people in the town, that are also in solidarity with refugees. The message is clear, Hastings supports refugees!
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I am super pleased to say that thanks to a worldwide community of music, culture and history lovers, the total funds raised by my Kickstarter campaign stands at £26,246. A huge success!
530 backers across the globe meant that not only was the first goal reached, but also a £25k stretch goal, allowing me to print a few extra books, and give some away to community organisations, schools libraries etc!
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A few of my favourite photos from Boiler Room at Three Mills Island last Saturday.
A return to collective joy with camera...the music was amazing and the vibes were nice and warm.
This week I launched a Kickstarter crowdfunding campaign to fund the printing of 1000 copies of my first ever photobook - Drumz Of The South: The Dubstep Years (2004-2007).
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A big thanks to Richard Akingbehin and Resident Advisor, for giving me the space to talk about some of my favourite music related photos & a little bit about my history with photography and music.
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FOR THE TIME BEING is a series of images taken throughout the various lockdowns we’ve had here in Hasting, some of which you might have seen on my Insta or in a previous blog post. Hopefully the series gives you a sense of the stillness and sometimes emptiness of this peculiar time, plus the new kind of intimacy with home and locale that so many of us had.
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For over a year I’ve been working on The Vision of Sound, a podcast on the intersection of art & music. It’s been an absolute pleasure chatting to creative people that make work about or inspired by music, and I’ve learnt so much!
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These photos are from behind the scenes with Ocean All Over at The National Centre for Craft & Design in Sleaford in September. I was there to document the company’s two socially distanced performances on the lawn in front of the centre - you can find all of those photos on the special Ocean All Over page in the Navigation menu.
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A couple of weeks back I had the pleasure of capturing some event photography for Boiler Room x Ballantine’s True Music In The Round. This was the first proper socially distanced live music event that I’ve documented since the pandemic so it felt really exciting to be in among the action again.
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In August I launched Vision of Sound, a fortnightly podcast series in which I chat to other artists and creative people that make work about or inspired by music.
Guests include Jeremy Deller, Wumzum & George Nindi, Emma Warren and Lil Ye’s Ali Graham.
You might notice that while I am a music photographer, there are no music photographer’s mentioned, but do keep an eye on the next episode as they are on their way!
It had been a while since I had a consistent medium to channel my love for and interest in other artists and creative people- whom I’ve championed in various ways throughout my life via zines, or blogs or events. As a fan of podcasts and radio shows like Stance, Creative Rebels, London Scenery and George The Poet, audio seemed like the obvious way to do it.
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Here’s the video from my conversation with Lisa Der Weduwe at Youth Club Archive about my photography, blogging + ‘00s technology & social / digital media, diy & grassroots community & much more.
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GIF of Skepta, unknown MC and Hatcha at FWD>> at Plastic People, 2005, by Georgina Cook. From my Drumz Of The South archive.
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This week I had the pleasure of returning to Carvery Studios, in their new Leyton location.
I first met Carvery while on assignment for FACT Magazine, photographing a story about London’s Mastering Houses and it was really nice to see how much they’ve grown since then.
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A night with Steam Down
Thanks again to the Steam Down crew for giving me their blessing to document the night which was not only the release of their brilliant single Free My Skin, but also the first time keys player Dominic performed his own music under the name Doom Cannon.
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A few photos from Boiler Room Festival's Bass Day at The Bussey Building in Peckham last Friday. I was very happy to be showing a version of my “Who Wants A Rewind?” installation as part of a great line-up of music, art and poetry. This time the images were shown on a wall of tiled TV screens.
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